Moussin IRJAN ✿ – Catherine La Rose Poesia e Arte


Source: Moussin IRJAN ✿ – Catherine La Rose Poesia e Arte

 

Moussin IRJAN ✿

E non ti dirò mai
non tormentarmi più l’anima
che sei nella risacca del mio
no di petto
in abbondanza delle tue mani
a riempirti di me
di ogni mio morire in te
a viverti così come sei
nel mio disperato Amore
E non ti dirò mai
non tormentarmi più l’anima…
~ Catherine La Rose© ~
tratto da “Non ti dirò mai non tormentarmi più l’anima…”
https://catherinelarosepoesiaearte.blogspot.com/2011/07/non-ti-diro-mai-non-tormentarmi-piu-l.html

Nello sconcerto
mi guardo
mi chiedo
se ho paura di perderti
oppure…
è la paura di averti…
Ma mai ti dirò
non tormentarmi più l’anima…~ Catherine La Rose© ~
tratto da “Non ti dirò mai non tormentarmi più l’anima…”
https://catherinelarosepoesiaearte.blogspot.com/2011/07/non-ti-diro-mai-non-tormentarmi-piu-l.html

‘E non ti dirò mai non tormentarmi più l’anima…’ C. La Rose

Belgian contemporary artist painter Moussin Irjan born in Alma-Ata,Kazakhstan in 1977 and lives and works in Mechelen, Belgium. Moussin Irjan endeavors to make its art famous and recognized, through apply living emotions and traditional academic knowledge of realism in his art. Is an artist creating oil paintings for modern interior.
Clients in Los Angeles, New York, London, Amsterdam, Berlin, Moscow, Bahrain, Sydney, Munich and other cities around the world.
Past exhibitions in New York, London, Moscow, Amsterdam, Brussels, Barcelona, Cologne, Bruges and other cities around the world.
“It is important to me that my paintings are made using high quality materials and to the highest standards – by this I mean the combination of high levels of performance, creative reflection, planning and impromptu execution. Along with my ongoing painting practice, I continue to study painting.
I use oil-based paint that is often quite fluid – my painting is like a watercolour technique – using oils. Sometimes I work with thicker paint, that emphasises the expression of a stroke. For me, the picture should ‘live’.
The piece is completed when it conveys something I intended and want, this could occur even in the early stages of working. To make a good picture, for me, is to know when to stop

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